The List: I'll Never Watch That Again

[00:00:00] Speaker A: Let's get it started in here. [00:00:07] Speaker B: Gossip, music, news, entertainment, and needed discussions. The DJ Blaze radio show starts now. Welcome back. It's Wednesday in real world. Welcome back to another episode of the DJ Blaze radio show podcast. It's your boy, be easy. [00:00:50] Speaker A: And this your girl, Amy. [00:00:52] Speaker B: Amy, we got a special guest in the building. [00:00:53] Speaker A: Yes, we do. [00:00:58] Speaker B: I'm gonna hit you with the nori. You gotta relax. All the way from Philly. It's Philly. No, but now he in the building. He just here. What you got in there, Whopper? Impossible. Whopper. Sir, I'm going to have to ask you to step out. Only beef around here. Pause. But yeah, shout out to Philly, man. He came through. Appreciate you being here, man. Observing. He gonna be on Kane show, so check out the podcast after you listen to this. Wednesday. So it's. Yeah, but. Amy, how you doing? [00:01:38] Speaker A: I'm doing good. I really good. [00:01:46] Speaker B: Uncomfortable? No, but that's good. You ready to jump into this? [00:01:53] Speaker A: Let's do it. This is hard. [00:01:57] Speaker B: Hey, yo. I forgot what made me come. Well, what's the topic we talking about? [00:02:05] Speaker A: So we are talking about movies or shows that you can only watch once because either they are traumatizing or because they are trash. [00:02:15] Speaker B: Oh, all trash. See, all of mine are traumatized. [00:02:18] Speaker A: All of mine are traumatizing. [00:02:19] Speaker B: Yeah, I didn't get into the trash. [00:02:22] Speaker A: Okay. [00:02:22] Speaker B: Because I don't really have. Because you could go down a whole long list of, like, I don't want to say tubi because people say tubi movies, and then it throws all of this. So I want to say, like, low budget type movies, stuff like that, or just. [00:02:38] Speaker A: Well, you know how I feel about tubi movies. [00:02:40] Speaker B: I don't feel no kind of way about them. Sometimes the acting is bad, but I don't feel no kind of way about. [00:02:47] Speaker A: Okay, well, we're on the same page with traumatizing. [00:02:49] Speaker B: Yeah, it was something. And I've been thinking about this a while, though. Like, what movies? That is one movie in particular that I just can't watch, period over. [00:03:01] Speaker A: I bet it's on my list. [00:03:03] Speaker B: It has to be. And I don't have too many of those types of movies, but it's just too. You get just a certain feeling. [00:03:09] Speaker A: There's one on my list that I watched in 2000, and I remember where I was when I was watching it. I remember saying, I never want to see this again. I knew I wanted it to be on my list, but I could not remember why. [00:03:24] Speaker B: Was it bad? Is it a bad movie or just. [00:03:26] Speaker A: It was traumatizing okay. I could not remember why. So here's what I did last night. [00:03:30] Speaker B: Okay? [00:03:31] Speaker A: I watched it. [00:03:33] Speaker B: Was it the same feeling? [00:03:34] Speaker A: It was the same feeling. I did not get good sleep last night. This movie was in my dreams all night long. [00:03:41] Speaker B: Was it spirits in the movie? [00:03:43] Speaker A: Yeah. [00:03:43] Speaker B: Oh, God. I know what it is. It's my favorite word. That's what it was, ain't it? [00:03:51] Speaker A: Why? Get up my list. [00:03:55] Speaker B: You gave too many clues. [00:03:58] Speaker A: Yeah, now I remember. [00:04:02] Speaker B: So you want me to go first? [00:04:04] Speaker A: Yeah, you can chip it off. [00:04:06] Speaker B: Okay, so my number five is killers of the flower moon. [00:04:15] Speaker A: Okay. [00:04:15] Speaker B: It's a newer movie now. One of the reasons is the movie is like three and a half hours long. Great movie. Is it De Niro? Pacino. I always get them too mixed up. It's one of them two in it. [00:04:29] Speaker A: We did this last week. [00:04:30] Speaker B: Yes, we did. The greatest act of all time. It's De Niro. The greatest actor of all time is in it. He plays a little radio ish character. Leo is in it. And it highlights one of the native American lands that's out in Oklahoma. But it tells the story of some Native Americans. The Native Americans from the east coast got pushed out to Oklahoma and stuff. Trail of tears and all that kind of shit. [00:05:01] Speaker A: You just talked about this movie. [00:05:02] Speaker B: Yeah, I did. [00:05:03] Speaker A: On another show. [00:05:03] Speaker B: Yeah. And they found oil, or oil or all. [00:05:12] Speaker A: Earl. [00:05:12] Speaker B: That's how you all say. [00:05:13] Speaker A: Not me. [00:05:14] Speaker B: We say all. Like we had the all male endorsements. Yeah. Anyway, so they got rich. And the white people just couldn't let Native Americans be rich. They wanted a piece of the pie, of course. So they went out there and found ways to get the money. But the thing that made it. Make it to where I can't watch it again is because they were doing such diabolical shit. It just make you mad. They were straight up just killing the people, and it'll make you mad. And I ain't spoiling the movie, because it happened in real life. So it's like documented or whatever. But it's a good movie. You can watch it one time. And I think at the Grammys this year. What's the name? The ohave Tribe or nation or whatever. Ohave. Or something like that. Whatever. [00:05:56] Speaker A: That tribe. [00:05:57] Speaker B: Assange. That's it. They were represented. [00:06:02] Speaker A: Both of them showed up in their traditional guard. [00:06:05] Speaker B: They put that shit on, as it were, and they were there. So that's my number five, killers of the flower moon. Just because the treatment of them people made me angry. [00:06:18] Speaker A: Okay, so my five is a movie that came out around the time we were at Bentry. [00:06:23] Speaker B: Okay. [00:06:24] Speaker A: Because this is why I remember it so vividly. It's the ring. [00:06:29] Speaker B: Oh, wow. [00:06:29] Speaker A: So I remember watching that movie. And if you remember, there's a part in the movie where the TV went like staticy and the little girl climbed out of the TV. [00:06:38] Speaker B: Yeah, static TVs at your house. [00:06:39] Speaker A: Well, I fell asleep on the couch. [00:06:42] Speaker B: Oh, my God. [00:06:42] Speaker A: And the cable went out, so the TV went to the static. And if you just got finished watching the ring and then you see the static TV, I'm thinking little girl about to pop out the motherfucker. Because why is that static on TV? I was watching bet. [00:06:58] Speaker B: Did you wake up hollering? [00:06:59] Speaker A: I didn't wake up hollering, but that was a lot. That was too much for me. I'm not a scary movie person and that was just too much for me. [00:07:08] Speaker B: Yeah, I don't watch them kind of movies just because of demons and I'm a little bitch. [00:07:13] Speaker A: It was the middle of the day, too. [00:07:14] Speaker B: That's kind of the reason why I won't watch one of mine. My number? Well, no, it's my honorable mention one. Yeah, I did take that off the list, but yeah. Oh, you said it was the middle of the day. [00:07:25] Speaker A: Yeah. [00:07:26] Speaker B: So you woke up in the middle of it. Didn't matter about the ring, though, because that stuff happened all during the day, wasn't it? A scene with a whole bunch of deer in the road and they just stopped the lady? Oh, yeah, you wouldn't remember because you only watched it once. [00:07:41] Speaker A: Yeah, that was enough for me. [00:07:43] Speaker B: I feel you. I didn't think you were going to go there with your number five, but here we are. My number four is very traumatizing. Again, it happened in real life. [00:07:57] Speaker A: And. [00:07:57] Speaker B: I'm giving all these clues like I'm Alex Trebek or something. It was the directorial debut of Ryan Coogler. [00:08:11] Speaker A: Yeah. [00:08:12] Speaker B: And maybe one of the best acting roles of Mr. Iraq himself. Michael B. Jordan, fruitvale station. That movie make you mad? Yeah, one time. [00:08:23] Speaker A: One and done. [00:08:25] Speaker B: He was just doing regular. [00:08:30] Speaker A: It was just a regular day. [00:08:31] Speaker B: Just a regular. [00:08:32] Speaker A: He was a regular guy. [00:08:33] Speaker B: Wasn't his girlfriend birthday or something like that? [00:08:35] Speaker A: Yes. [00:08:36] Speaker B: He went to a little fish market. They went to the market and all kind of stuff. Just walking around being just a regular day. [00:08:44] Speaker A: That movie hurt. I want to say I cried. [00:08:49] Speaker B: I can't watch that movie, know? [00:08:52] Speaker A: Never. [00:08:53] Speaker B: It was a true story. Did the transit guy get in trouble? Any trouble? [00:09:00] Speaker A: I don't remember. I mean, not in the movie, but I don't know if he did in real life. [00:09:04] Speaker B: Yeah, because that was, like, in Oakland or San Francisco or something like that. It was over there on the west coast. [00:09:11] Speaker A: Yeah, that one was traumatizing. And that came out before all of the Black Lives matter stuff. All of Mike Brown. It came out before all of that. [00:09:25] Speaker B: It was before the Internet was popping. Like, really? Because I want to say that happened in, like, matter of fact, I want to guess it came out in. [00:09:43] Speaker A: It came out in 13. What? But it was based. It was based on Oscar Grant in 2009. [00:09:50] Speaker B: 2009. So, yeah. Twitter wasn't what it was. None of that, especially not in 2009. Twitter was just not getting going good. [00:10:01] Speaker A: Yeah, because that's when I joined Twitter. [00:10:02] Speaker B: Facebook really went, because you barely could get Facebook on your phone back. Um, but, hell, I knew about it anyway, so that's my number four. What's your number four? [00:10:13] Speaker A: My number four is. What's this? Samuel Jackson. I just put snakes on the plane, but I think that's actually the name. [00:10:18] Speaker B: Of the movie snakes on the plane. Oh, that's just a bad movie. [00:10:22] Speaker A: It was the snakes. I don't fuck with snakes like that. Even though I'm wearing a ring with a snake on it, I don't fuck with. Have I spent a whole summer not going into my backyard because of. Yeah, that. That was traumatizing for me. [00:10:39] Speaker B: Dang, I wasn't even thinking about that. You know what traumatized me? That's kind of in that same vein, but I didn't think about those types of movies. I had to stop watching that new Adam Sandler movie. So he has a movie that's on Netflix. I forgot the name. [00:10:53] Speaker A: The one where he was getting beat up? [00:10:54] Speaker B: No, not the one where he was getting beat up. He's like an astronaut, and he's on this mission to see some kind of space cloud or whatever. It's kind of futuristic or whatever. And in the movie, he sees a spider. He thinks the spider is, like, a big ass spider. Like, bigger than him. He thinks the spider. Is he going crazy because he's been by himself for so long? Turns out the spider is, like an alien race type spider and shit. Can talk to him telepathically? Yes. So when I first saw that big ass spider, I was like, oh, no. Can't watch this shit. [00:11:30] Speaker A: So do you have arachnophobia? [00:11:34] Speaker B: Yeah. When they bigger than the Jonas Zilgowskis. [00:11:38] Speaker A: Okay, so that spider that I killed in my backyard that day, would you have been able to kill that spider? [00:11:42] Speaker B: How big was it? [00:11:43] Speaker A: The one that shows out a picture. It was about the size of a Gatorade lid. [00:11:48] Speaker B: Oh, yeah. I killed that with my bad hands. [00:11:50] Speaker A: Okay. [00:11:50] Speaker B: I mean, with a napkin and smash it. You know what I'm saying? But just a big ass spider where you can see all eight of his eyes and his mouth. [00:11:58] Speaker A: Yeah, I killed one in my garage last week. Don't worry. The guy coming Wednesday. But I killed one in my garage Wednesday. I mean, last week. And, like, the babies. Let me call this exterminator. [00:12:11] Speaker B: I can't get with that. Like, our little Dubai be playing a no can do. Them little babies. What number we own? Oh, you were on your number four. [00:12:25] Speaker A: That was my four. [00:12:26] Speaker B: That was your four snakes. Snakes on the plane. Was it two levels on that plane? [00:12:32] Speaker A: I don't think so. [00:12:38] Speaker B: My number three is a movie where I read the book after I watched the movie. And the movie is traumatizing. I hope it ain't what I think it is. [00:12:53] Speaker A: What movie? What movie? What's the movie? [00:12:58] Speaker B: Why are you gasping? [00:13:03] Speaker A: Foreshadowing. [00:13:04] Speaker B: I have to send you to HR. [00:13:08] Speaker A: Foreshadowing. [00:13:09] Speaker B: I'm glad this ain't on video. Precious. [00:13:15] Speaker A: Yes. [00:13:20] Speaker B: Have you ever read the book? [00:13:21] Speaker A: I did not read the book. I know what's in the book. [00:13:24] Speaker B: Yeah. The book is called push. And one of the scenes in precious because the movie kind of mirrored the book or whatever. But it's one scene where. [00:13:38] Speaker A: I know where you going. [00:13:39] Speaker B: Monique's character calls precious upstairs. And she goes upstairs and then it fades to black and then it comes back and it does. [00:13:45] Speaker A: You hear, like, some moaning. [00:13:46] Speaker B: Like, I don't even remember hearing the moaning in the movie, but in the book and that scene when she calls her up to the room or whatever she makes her daughter perform kind of lingers on her. [00:14:02] Speaker A: Yes. [00:14:03] Speaker B: And when she does that, she describes how stank her mama is and smell like rotten fish and all this and that and blah, blah, blah. I don't think they spell this out early in the movie, but in the book they spell out that precious daughter is her daddy, her dad's daughter. [00:14:20] Speaker A: That's why she ain't right. [00:14:22] Speaker B: That's why the little girl. Yeah. And it's a whole bunch of other little stuff in that book or whatever. I didn't really pay it because when you talk about the movie, most of the scenes in the movie is the mama fussing at her and going down to the welfare, whatever. Her stealing the bucket of chicken and running. But all of that other little stuff, you don't really pay that too much attention. But reading a book, I'm like, man, I can't watch that movie no more, man. Even though Monique did a real good job, Mariah Carey is unrecognizable and does a real good job. [00:14:58] Speaker A: I really did not know it was her while I was watching the movie. I did not know that was Mariah. [00:15:03] Speaker B: Well, you think all white people looking like. [00:15:07] Speaker A: Yeah, because Zoe Kravitz is in it too, right? No, Lenny Kravitz is in it. Right? He's the teacher. [00:15:14] Speaker B: No. What's the girl? Zoe Zaldana is in it. Isn't she a social worker in it? [00:15:21] Speaker A: I thought that was Mariah. [00:15:22] Speaker B: No, Mariah is at the welfare, but isn't the teacher at the school. What's that girl? The girl that played 50 cent girlfriend in get Richard die trying? [00:15:36] Speaker A: Lenny Kravitz, he's a nurse at the wherever. But I know who you're talking about. [00:15:41] Speaker B: Yeah, but anyway, so, yeah, that's my number three movie. What's your number three? [00:15:46] Speaker A: My number three is Kujo. [00:15:48] Speaker B: Oh, that's a good one. [00:15:50] Speaker A: Kujo fucked up dogs for me. My kids will never have pets. That's a good one because. No, I don't do dogs. I'm sorry. And then I was standing in my yard last week, just standing in the backyard because I can go to my backyard now. And my neighbor's dog, he got out. Yeah, he just ran up on me. [00:16:14] Speaker B: What kind of dog is it? [00:16:16] Speaker A: Mud? I don't know. I don't know. It got like stripes. Why the dog got stripes. But anyway, it's a friendly dog. Because he's scary. Because when I screamed, because I screamed. [00:16:29] Speaker B: Oh, he ran away. [00:16:30] Speaker A: He ran away. Yeah. That dog was on second loop last week. Like, he'd just be everywhere. [00:16:34] Speaker B: But it's your neighbor's dog. [00:16:35] Speaker A: Yeah, but, yeah, Kujo, of course, if you haven't seen it yet, is about a woman and her son. They get trapped by a dog in the hot sun. Yeah, in a car. In a pinto. [00:16:48] Speaker B: That was a pinto. [00:16:49] Speaker A: That was a, um. Cause the car won't start, but the dog is like terrorizing them and they just. In the car, she tries to make a run for it to get in the house. Of course. Cool. Joe attacks. [00:17:01] Speaker B: Don't he jump through the house? Yeah, eventually. But then, like, the neighbor kill him or some shit. [00:17:05] Speaker A: Yeah, somebody came and rescued. [00:17:08] Speaker B: Cool. I used to think that was a rotweiler, but it really was like a St. Bernard or some shit. [00:17:14] Speaker A: No, that's another child. [00:17:17] Speaker B: Wasn't even out back. [00:17:17] Speaker A: That was another traumatizing story from my. [00:17:20] Speaker B: Childhood shout out to the Spears family down the street. They had a child named Littlefoot, and we had a lab named Coco. [00:17:26] Speaker A: Littlefoot? [00:17:27] Speaker B: Yeah. Littlefoot had sex with coco, made babies, and guess who had to keep the puppies? The mama. [00:17:38] Speaker A: The mama. [00:17:39] Speaker B: Oh, wow. We had a mama. The mama keep the baby. [00:17:43] Speaker A: The child story is for the people from Lamar. Y'all probably remember this. When my sister got hit by a car, we were running from a child, a child that got out. We all ran. One hard headed ass ran the other way, and a car hit her. Did the child get her at the red barn? No. [00:18:00] Speaker B: So y'all live by the red barn? [00:18:01] Speaker A: We could walk to the red barn. [00:18:03] Speaker B: So you all kind of close to green Acres? [00:18:05] Speaker A: Not green acres. Green acres. Close to green Acres. No. I thought Red Barn is in Cyprus. [00:18:13] Speaker B: Oh, you all stayed out there. So what's that down there by, like, a little bit down from green? [00:18:19] Speaker A: I know. I can't think of the name. [00:18:21] Speaker B: Okay. [00:18:21] Speaker A: I know what you're talking about, though. [00:18:22] Speaker B: So when I hear about the red barn, we talk about Cyprus. I got you. Okay. [00:18:25] Speaker A: Yeah. The red barn was never. Well, it wasn't red when I was a kid. [00:18:29] Speaker B: That's just the name of it. [00:18:30] Speaker A: Yeah. [00:18:30] Speaker B: Shout out to the red barn. So where we on number two? My number two was a series on Netflix. Miniseries. It was very traumatizing how they did these kids. Yeah, you don't know. [00:18:45] Speaker A: I don't. [00:18:46] Speaker B: When they see us. [00:18:48] Speaker A: Nope. Nope. You never watching it? Nope. I don't need to see that. [00:18:53] Speaker B: Good acting job by these kids. Especially the one kid who played the one guy can't think his name because I didn't watch it enough to remember. Santana, something like that. [00:19:05] Speaker A: He won an award for that. [00:19:07] Speaker B: He did. [00:19:08] Speaker A: And when he went up to get his award, Nisi Nash and her titties gave him, like, the biggest hug. Was she in biggest embrace? No, she wasn't. She was there. [00:19:19] Speaker B: I need to win an award so niecy Nash and her titties can give me a hug. Maybe I'll have to win an award. What can I do to get Niecy Nash give me a big titty hug? [00:19:30] Speaker A: I don't know. [00:19:30] Speaker B: You know, she done had dick before. Once you go dig, you get back sticks. Anyway, shout out to that. But that was a good movie. Shout out to precious. I mean, not precious. Delicious. Because that's how she got her husband. [00:19:49] Speaker A: Oh, Nisi Nash was in the movie? [00:19:51] Speaker B: I thought she was. Yeah, she was in the movie. She played one of the mothers, I think. I think she played a well, listen, when they see us is about. They call them the exonerated five now, but it was a central park five back in the day. This is one of the reasons why I don't see how y'all niggas can support Donald Trump, because he put out a full page ad in the paper trying to get these boys locked up. And they did get locked up for several years for something they didn't do. Finally, somebody. What did he do? Somebody confessed to it while one of them was in jail. Was like, they really did it. Then they got DNA and all that kind of stuff. So, yeah, Central park five, when they see us. Well, exonerated five. So that's my number two. What's your number two? [00:20:44] Speaker A: My number two is roots. And basically, all the slave movies, even Django? Django ain't no slave movie. I mean, it is a slave comedy. Django is a slave comedy. [00:20:58] Speaker B: I don't think they were trying to be funny for most of the. [00:21:03] Speaker A: And you know what? I got a story behind this, too, because that's what's wrong with these damn kids. We need to make these kids watch roots. But anyway, I didn't see roots with my family. My mama didn't make me watch it. I saw roots in school. Like, they can't even show roots in school no more. [00:21:18] Speaker B: No, because it didn't happen. They showed back. Slaves wanted to be there. Roost is lying. [00:21:23] Speaker A: Yeah, me and my boy got in a full blown argument about that this weekend. [00:21:27] Speaker B: Why? [00:21:28] Speaker A: Because the little girl, the video. [00:21:31] Speaker B: Oh, about being a slave? [00:21:32] Speaker A: No, the little girl. [00:21:33] Speaker B: You know what I'm saying? But she said she was a slave. [00:21:35] Speaker A: So he didn't want me to get this look, he didn't want to be the one whose parent put that her. And I was like, no, fuck that. [00:21:44] Speaker B: He know the girl? [00:21:45] Speaker A: Yeah, she goes to school with him. They in classes together, so he didn't want to be the one who it fell back on. It's like, oh, it was his mama that put the video on. [00:21:55] Speaker B: It ain't enough black people in there to have his back. [00:21:58] Speaker A: I don't know. But, see, and that goes to show, like, they don't understand, because he didn't understand why it was so bad what she did. And I was like, how can you be my child and not understand why this is so bad? I was like, because I ain't ever made you watch roots. Now you got to watch roots. But anyway, it was just like the traumatizing slavery stuff. I don't want to watch that no more. [00:22:23] Speaker B: I watched roots. Before I watched a movie like twelve years. [00:22:27] Speaker A: Twelve years of slave. Oh, yeah. Once, one and done. [00:22:30] Speaker B: Yeah. Can't do that because roots was more of his family story with no white savior, if I can remember. But twelve years of slave had a white savior. That wasn't in the original story. [00:22:40] Speaker A: This little motherfucker told me I made up Kunta Kente. [00:22:43] Speaker B: Who? [00:22:44] Speaker A: My child. [00:22:45] Speaker B: Why did he say you made a. [00:22:46] Speaker A: Car telling him that? He was like, really? They cut off his foot. Really? I was like, nigga, I'm about to put you out. [00:22:54] Speaker B: I guess they don't teach that stuff in. No, in school. [00:22:58] Speaker A: They don't teach it no more. I watched roots in my social studies. [00:23:02] Speaker B: Class, but not even roots, like just how bad they did people in slavery. [00:23:06] Speaker A: Oh, yeah. They don't teach that no more. [00:23:07] Speaker B: Yeah. So you have to teach that at your house just like credit. You got to teach them how to write a check. [00:23:15] Speaker A: No, they teach that now. [00:23:17] Speaker B: What? [00:23:17] Speaker A: He took that last year. I mean, first semester this year, they took a class where they learned about life insurance and credit and how to write checks. [00:23:26] Speaker B: Yeah, we did that at home economics. But I thought they act like they don't have that in school. So that was your number two. [00:23:33] Speaker A: Yeah, I just can't do no more the slavy stuff. No more roots. One and done. Even though when they redid it a few years ago, I did watch that. [00:23:41] Speaker B: Didn't you say you like that show, the underground? I did, but you ain't like roots. [00:23:48] Speaker A: But then again, one and done. [00:23:51] Speaker B: True. [00:23:52] Speaker A: Yeah. I'm not going to go back and be like, oh, I'm looking for something to watch. Let's watch these niggas get beat on underground again. [00:23:58] Speaker B: Did you watch that show? And I think they canceled it after that one season. It was about the girl going back in time. What was that called? [00:24:05] Speaker A: Oh, I cannot remember. I know. [00:24:07] Speaker B: It was on Hulu, a Sci-Fi slave show. That was crazy. [00:24:11] Speaker A: That was good, though. [00:24:12] Speaker B: Yeah, it was good. Yeah. They need to bring that back so we can get a resolution. I think they made that a book. I think it was a book first. Anyway, what do you think my number one is? [00:24:22] Speaker A: Is it the same as mine? [00:24:23] Speaker B: Probably. [00:24:25] Speaker A: Go for it. [00:24:25] Speaker B: You say it. See if you can get beloved. Oh, no, I've never even seen that. [00:24:31] Speaker A: Don't watch it. [00:24:32] Speaker B: Isn't there some voodoo sex type shit going on in there? My number one is better than yours, I think. Okay, my number one is get out. [00:24:41] Speaker A: Really? [00:24:42] Speaker B: Yes, get out was scary to you? The whole movie is just a whole bunch of tension. And if you like, the first time, I think I only watched it one time really, but I picked up on all of the little stuff the whole way. I think I got to the movies late to see it, but I remember there was a car stop by the police and the little stuff the policeman was saying, if you ever have to live through that, it's like a whole bunch of anxiety that you get in that situation. The girlfriend, the way she was acting, just anxiety. The dude running at you full speed and then just turning. Just weird anxiety. The white man, you having that weird ass conversation. You saying, I would have voted for Obama about a third time, that shit. [00:25:32] Speaker A: Yeah. [00:25:32] Speaker B: What else? The white woman grabbing your arm and telling how thick you are, whatever. Anxiety. It's just weird anxiety. [00:25:41] Speaker A: Which kind of goes back to, like, selling books. [00:25:44] Speaker B: Yeah, that movie was just a whole anxiety laden movie. [00:25:49] Speaker A: And what's the one that worked in the house? [00:25:52] Speaker B: The lady? Yeah, no, that one. Not to mention his homeboy. Well, not his homeboy. The dude that he knew from the city. That was the part that I missed at the beginning because it was saying that he was missing at the beginning of the very beginning of the movie. I think I did watch it again to see that, but that movie, I can't watch that movie again. Get out. Was a movie that I can't watch again just because of the racial undertone. They did a good job of doing that, though. The racial undertones and societal stuff and all of that. So that's my number. What's your number? [00:26:24] Speaker A: Very well written. Well, we already said twice. My number one. My number one is beloved. So I remember Megan good was in that. No. Okay, beloved came out in 97 or 98. I didn't watch it in real time. I remember watching it on cable. Stolen cable. Because we finally convinced my mama to. [00:26:46] Speaker B: Steal some cables on TNT. [00:26:50] Speaker A: No, it was on something. When we started stealing cable, we had all the channels, so it was on a movie channel, but this was like, I grew up in the country, so we had a satellite and you could get that card to put into your box and the card gave you all the channels. But anyway, Dandy Newton, me and my homeboy, and she played the fuck out of that role. [00:27:08] Speaker B: Her name is something else. No, she just spelled it different. [00:27:12] Speaker A: We was watching it and I remember being so traumatized. I watched this movie at night, but I forgot what happened. I knew I wanted it to be on my list. So I'm like, okay, I'm going to watch it tonight just so I can refresh myself on what happened? So I could talk about it. And one, when I watched it back. [00:27:31] Speaker B: Then, I didn't realize the hank rolled you that night. [00:27:35] Speaker A: I wish I got rolled last night, but no, unfortunately, no, I didn't realize how close to slavery this movie was. I knew she had that Timberland tree on her back, but I didn't realize how close to slavery it was. Like she was literally running away, like she had just escaped slavery. [00:27:55] Speaker B: Yeah. [00:27:57] Speaker A: So there was a ghost in the house? [00:28:01] Speaker B: Yeah. [00:28:02] Speaker A: The ghost was actually her daughter, though. [00:28:04] Speaker B: What? Yeah, like a daughter. She got aborted? [00:28:07] Speaker A: No, you find that out later in the movie. She killed her. [00:28:11] Speaker B: Oh. Before she left for the civil war. [00:28:14] Speaker A: So her masters, her slave masters, found out where she was at, and they came to get the kids because technically the kids belonged to them because she had the kids while she was on the plantation. So they came back to get the kids. When she saw them coming, she took the kids into a shed and she started off in them. She started off in the ass, like, two of them. She hit on the head with a shovel. They thought they were dead, but they didn't die. And the third one, she took a saw and slid her neck so that one was dead. That was the ghost that was in the house the whole time. So they go to the fair, they come back home. There's a girl, a woman in the front yard. It's the goddamn baby. It's the baby she killed in grown woman form. But she was a baby. But she was a grown up. Like, she couldn't walk, she couldn't go to the bathroom by herself. She couldn't eat. She was a baby, but she was a grown woman. [00:29:13] Speaker B: Who played that? [00:29:14] Speaker A: That was stany. That was Stani Newton. That's why she was making all them faces in the movie, because she was a baby. [00:29:20] Speaker B: Was that the movie where she said something about somebody touching. [00:29:23] Speaker A: Yes, her mama boyfriend. She was like, I want you to touch me on the inside part. And she raised up her dress, and you can see her hairy bush, and she's like, touch me on the inside. [00:29:31] Speaker B: Was it a real bush? [00:29:32] Speaker A: It was the real thing. [00:29:34] Speaker B: Did she have a prominent clitoris? [00:29:36] Speaker A: No, it was all covered in hair. [00:29:41] Speaker B: Danny looked like she have a prominent clitoris. [00:29:44] Speaker A: I could see that. [00:29:46] Speaker B: You couldn't see that? Apparently. [00:29:48] Speaker A: So touch me on the inside part. Which he did. He obliged. Okay, she got pregnant, so now the baby is having a baby. [00:30:00] Speaker B: Oh, my God, Brenda's got a baby. [00:30:01] Speaker A: The movie is crazy. So all the ladies in the community. [00:30:06] Speaker B: Placed with Stalin, Grace came to pray. [00:30:09] Speaker A: They stood out in front of the house and they was weeping. They was praying like that old, well, you ain't grew up in the baptist church, so you don't know that old school praying where the women are literally weeping and crying out to God. So they pray the baby away. The grown woman baby, she disappeared. [00:30:27] Speaker B: Now. [00:30:27] Speaker A: The baby gone. Now, Oprah Winfrey, the mama, she having a breakdown. [00:30:32] Speaker B: Oprah Winfrey turned into the. Oprah Winfrey was the mama the whole time. [00:30:36] Speaker A: Yeah, she was mama the whole time. [00:30:37] Speaker B: Oh, she was a slave. [00:30:39] Speaker A: Yeah. [00:30:39] Speaker B: Okay. [00:30:39] Speaker A: With the Timberland tree on the back. [00:30:41] Speaker B: Okay. [00:30:42] Speaker A: Which is where they was whooping her. [00:30:43] Speaker B: Okay. Yeah. Please explain that. [00:30:45] Speaker A: Anyway, now she can't do shit. Like she having this nervous breakdown where all she can do is just sit up in the house. It was just a lot. [00:30:55] Speaker B: Now I see why I got a six out of ten out of on IMD. [00:30:58] Speaker A: It was a lot because they was like, the grandma is the baby? Not really. That's social media. But anyway, the baby came back as an adult, but the baby was haunting house. She had two sons. At the beginning of the movie, they ran away because they couldn't deal with the ghost. And it was just like they knew the ghost was there. When Danny Glover character showed up, she was just like, oh, yeah, we got a ghost. Come on in the house. [00:31:23] Speaker B: I wonder if you can't watch this movie again because it was so bad. [00:31:28] Speaker A: I think for me, it was traumatizing as a teenager watching it as an adult who understands what I do now about spirituality and ancestors, it wasn't as bad. [00:31:42] Speaker B: This is just outrageous. [00:31:44] Speaker A: Yeah. Because I do believe that you can talk to your ancestors. I do talk to mine often. [00:31:49] Speaker B: Do they talk back? [00:31:50] Speaker A: Yeah. What they say when they wake me up at 03:00 in the morning, three or 04:00 in the morning, and I just can't go back to sleep. It's them. [00:31:57] Speaker B: Or maybe you need melatonin. [00:31:59] Speaker A: No. [00:32:00] Speaker B: What time you went to sleep? [00:32:02] Speaker A: Normal time. [00:32:03] Speaker B: What is normal time? Tell me. [00:32:05] Speaker A: Eleven ish. [00:32:06] Speaker B: You only need 5 hours. That's your circadian rhythm. [00:32:11] Speaker A: That's my circadian great grandmother. Okay. [00:32:13] Speaker B: All right. That was her last name. They called her Sadie. [00:32:19] Speaker A: But, yeah, that movie was just like, now I understand why I didn't watch it again. It was a lot. It was a lot. And then if you got the slavery. [00:32:27] Speaker B: Thing going, give me a couple of honorable mentions before we get out of here because I'll never watch that shit. [00:32:33] Speaker A: Rosewood. Another slavey movie. [00:32:38] Speaker B: That's a movie, though? If it's on, I might watch it. Just a little bit, but yeah, that's not slavery, though. [00:32:43] Speaker A: Rosewood was 1920, after slavery for color girls. [00:32:49] Speaker B: Oh, yeah. [00:32:51] Speaker A: Which I was trying to put together or piece together, like Kimberly Elise. Why are you always in the damn movies that I can't watch? Another again, she always in a movie being abused. You can play Oprah daughter. [00:33:05] Speaker B: I bet you could watch what you call it again. [00:33:07] Speaker A: What set it off? [00:33:08] Speaker B: No, the Tyler Perry. The first one. Charles. [00:33:16] Speaker A: Oh, yeah, but she still got abused in that. She did, but however, she was in another movie. No, I can do that on myself. What was the other one? Oh, she was in something else where her dad was abusing her, her stepdad was abusing her. Somebody is at home yelling at the screen right now. [00:33:36] Speaker B: Not me, because I have no idea for color girls. [00:33:39] Speaker A: So, of know, Micah either threw her kids out the window, and it was her kids. Yeah. [00:33:44] Speaker B: Was they? [00:33:45] Speaker A: Mm hmm. [00:33:46] Speaker B: But they weren't his kids, though, was it? [00:33:48] Speaker A: No, that whole movie was like, Tyler just didn't want to see the women happy. [00:33:53] Speaker B: Was that. Wasn't that based on a book? [00:33:56] Speaker A: It was so. [00:33:57] Speaker B: That ain't his fault. [00:33:58] Speaker A: But, I mean, he produced it. [00:33:59] Speaker B: He didn't write the book. [00:34:01] Speaker A: He still don't like to see women happy. But anyway, I love Tyler. I love his stuff. I'm always support. [00:34:07] Speaker B: Medea, look happy. [00:34:09] Speaker A: She the only happy woman in all his movies. All the women got to suffer first. [00:34:14] Speaker B: Everybody got to suffer. [00:34:15] Speaker A: Every movie, the women got to suffer. [00:34:18] Speaker B: What's a movie that people don't suffer first? [00:34:24] Speaker A: I don't know. [00:34:25] Speaker B: Exactly. There isn't one. Don't nobody want to see no happy ass movie. [00:34:29] Speaker A: Comedy. Because his movies are comedy, but the women still suffer. He had Rudy selling pussy. [00:34:36] Speaker B: I mean, the price of pussy, what's the market value? What's going down around there? [00:34:44] Speaker A: But, yeah, for color girls, because everybody, when they think about it, they just think about, oh, you the one doing the bending. But, yeah, I remember a scene because I only watched that once. That's one I can only see once. I remember a scene where somebody was going to get an abortion, and this was back in the day. Well, it wasn't even back in the day. She had to get this abortion this way with the hangar. You didn't have to do that. [00:35:06] Speaker B: Maybe it was illegal then. What movie was that for? [00:35:10] Speaker A: Color girls, I'm not mistaken. [00:35:12] Speaker B: What city was they in? [00:35:13] Speaker A: New York. [00:35:14] Speaker B: Oh, I'm pretty sure New York had abortion. Yes. I don't really know. I don't know about the abortion thing in New York. So, yeah, that was outrageous. The coat hanger, maybe she had $327. [00:35:33] Speaker A: It ain't worth her soul. [00:35:35] Speaker B: Oh, she died. [00:35:36] Speaker A: No, I'm talking about the song. [00:35:39] Speaker B: That's the song that was in the. [00:35:40] Speaker A: Movie common 320, whatever he said ain't worth your soul. He kept repeating the number and I think he said, $327 ain't worth your soul. $327 ain't worth your soul. [00:35:52] Speaker B: That's just a random common song. [00:35:56] Speaker A: That's how I met common. And I can't even remember the name of the song, but that's how I met him. Well, before Kanye. [00:36:03] Speaker B: You got any more? [00:36:06] Speaker A: Oh, what was the last one? Blair witch project. And it was because it was scary and bad. [00:36:15] Speaker B: Yeah, I only watched that once. [00:36:17] Speaker A: I don't think it had, like, an ending. [00:36:20] Speaker B: Mine is Lovecraft country, and only because I feel like they resolved everything. It wasn't too deep because of social media. All of the cultural references made it more important. Well, not made it more important, but they're kind of like, well, what they meant with this picture when they were standing here in this shot, it was supposed to be. It mirrored this picture. They was doing that kind of stuff. So you ain't really had to go back and find it yourself then the historic stuff or whatever. [00:36:56] Speaker A: It was kind of traumatizing, kind of in a good way. I don't need to see it again. None of it. [00:37:04] Speaker B: Definitely not the gay sex. [00:37:07] Speaker A: I forgot about that. [00:37:08] Speaker B: Yeah, that was it. But yeah, it was a good. [00:37:11] Speaker A: People wanted more, but it was based on a book. [00:37:14] Speaker B: Yeah, and then they sold all of it. Yeah. And then she had this other stuff that she was going to do that was outrageous, allegedly. But anyway, that was our most. One of the things that we only could watch once. If you all have some, email us [email protected]. Yeah, I don't have any more. I'm trying to think. Yeah. Anyway, Amy, let everybody know where they can find you on social media. [00:37:45] Speaker A: I can be found on all platforms at Amy's. $0.22. That's a M y the number, 22:00 a.m.. Y s the number, 22 cents. [00:37:55] Speaker B: And you can find me on social media at preacher underscore, BP. You can find the show on Instagram at djbladeshow. Email us [email protected]. Let us know. I'm going to tell everybody, you got to stop. [00:38:08] Speaker A: Something to do. [00:38:09] Speaker B: I'm going to tell everybody. Tell everybody what kind of foolishness you got going. [00:38:14] Speaker A: I got something to do after this. [00:38:18] Speaker B: I'm going to spill the beans no, man. Bye. [00:38:22] Speaker A: Be spilling. All right. [00:38:26] Speaker B: Here we are. Let those who have ears listen. This is the DJ blaze show.